https://sarahannecooper.com Sarah Anne Cooper Tue, 14 Jan 2025 05:01:25 +0000 https://sarahannecooper.com en https://sarahannecooper.com/Index Tue, 04 Oct 2022 15:47:31 +0000 Sarah Anne Cooper https://sarahannecooper.com/Index https://sarahannecooper.com/Sensing-the-Future-LIVE Mon, 13 Jan 2025 18:36:13 +0000 Sarah Anne Cooper https://sarahannecooper.com/Sensing-the-Future-LIVE Sensing the Future: LIVE Getty Museum&nbsp; October 5 &amp; 6, 2024 Part of PST ART: Art &amp; Science Collide <img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/957c1ee1dcc3958fd4fd5812fa0a57503199fd1da6cb56a90da5f8cd9802b952/_DSF4097_Rev.jpg" data-mid="224689065" border="0" src="https://freight.cargo.site/w/1000/i/957c1ee1dcc3958fd4fd5812fa0a57503199fd1da6cb56a90da5f8cd9802b952/_DSF4097_Rev.jpg" /> This afternoon of live performance reimagined works central to the legacy of Experiments in Art and Technology (E.A.T.), a non-profit organization founded in 1966 that paired artists from New York’s avant-garde with the innovative engineers at Bell Laboratories—a groundbreaking venture celebrated in the archival exhibition Sensing the Future. Included was a reimagining of Deborah Hay’s solo (1966) as Solo Two (2024). Tailored to the Getty’s environment, the performance included an ensemble of dancers performing with remote-controlled vehicles. Hay’s new realization of this piece deviates from, yet remains indelibly linked to, the archive. Images (c) 2024 Getty Trust. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f44e6bd307f7d4b27b24715650450d72428d4dc7cae7136dacabf82a158f6542/IMG_5001.JPG" data-mid="224689072" border="0" src="https://freight.cargo.site/w/1000/i/f44e6bd307f7d4b27b24715650450d72428d4dc7cae7136dacabf82a158f6542/IMG_5001.JPG" /><img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/4d29762c42d8dcf9cfaa3269d6d2e13ff2f911dc7a24569936c12b6e6c22ad5e/_DSF4047_Rev.jpg" data-mid="224689063" border="0" src="https://freight.cargo.site/w/1000/i/4d29762c42d8dcf9cfaa3269d6d2e13ff2f911dc7a24569936c12b6e6c22ad5e/_DSF4047_Rev.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7081244d7eec2775c142f5489c27fd86f06e9e0c4845d60e4f2a6bfbd41c004e/IMG_4994.JPG" data-mid="224689075" border="0" src="https://freight.cargo.site/w/1000/i/7081244d7eec2775c142f5489c27fd86f06e9e0c4845d60e4f2a6bfbd41c004e/IMG_4994.JPG" /><img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/6f9c9ed133575f3f4db3e1e0300d6828df59c16b9f72ce68c195257f8422537f/_DSF4143_Rev.jpg" data-mid="224689066" border="0" src="https://freight.cargo.site/w/1000/i/6f9c9ed133575f3f4db3e1e0300d6828df59c16b9f72ce68c195257f8422537f/_DSF4143_Rev.jpg" /><img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5f4c716be6c27020cfa67833b06bad2dc921951d5ea5571443f26d20086228c3/_DSF4085_Rev.jpg" data-mid="224682710" border="0" src="https://freight.cargo.site/w/1000/i/5f4c716be6c27020cfa67833b06bad2dc921951d5ea5571443f26d20086228c3/_DSF4085_Rev.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/747a532e4375c7e27825770d4b61d2d029e13b23f0c57139654d3a7d64a7e8e7/IMG_4995.JPG" data-mid="224689071" border="0" src="https://freight.cargo.site/w/1000/i/747a532e4375c7e27825770d4b61d2d029e13b23f0c57139654d3a7d64a7e8e7/IMG_4995.JPG" /> https://sarahannecooper.com/Sensing-the-Future-LIVE-copy Tue, 14 Jan 2025 00:19:16 +0000 Sarah Anne Cooper https://sarahannecooper.com/Sensing-the-Future-LIVE-copy Sensing the Future: LIVE Getty Museum&nbsp; October 5 &amp; 6, 2024 Part of PST ART: Art &amp; Science Collide <img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/957c1ee1dcc3958fd4fd5812fa0a57503199fd1da6cb56a90da5f8cd9802b952/_DSF4097_Rev.jpg" data-mid="224702575" border="0" src="https://freight.cargo.site/w/1000/i/957c1ee1dcc3958fd4fd5812fa0a57503199fd1da6cb56a90da5f8cd9802b952/_DSF4097_Rev.jpg" /> This afternoon of live performance reimagined works central to the legacy of Experiments in Art and Technology (E.A.T.), a non-profit organization founded in 1966 that paired artists from New York’s avant-garde with the innovative engineers at Bell Laboratories—a groundbreaking venture celebrated in the archival exhibition Sensing the Future. Included was a reimagining of Deborah Hay’s solo (1966) as Solo Two (2024). Tailored to the Getty’s environment, the performance included an ensemble of dancers performing with remote-controlled vehicles. Hay’s new realization of this piece deviates from, yet remains indelibly linked to, the archive. Images (c) 2024 Getty Trust. <img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/f44e6bd307f7d4b27b24715650450d72428d4dc7cae7136dacabf82a158f6542/IMG_5001.JPG" data-mid="224702578" border="0" src="https://freight.cargo.site/w/1000/i/f44e6bd307f7d4b27b24715650450d72428d4dc7cae7136dacabf82a158f6542/IMG_5001.JPG" /><img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/4d29762c42d8dcf9cfaa3269d6d2e13ff2f911dc7a24569936c12b6e6c22ad5e/_DSF4047_Rev.jpg" data-mid="224702574" border="0" src="https://freight.cargo.site/w/1000/i/4d29762c42d8dcf9cfaa3269d6d2e13ff2f911dc7a24569936c12b6e6c22ad5e/_DSF4047_Rev.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7081244d7eec2775c142f5489c27fd86f06e9e0c4845d60e4f2a6bfbd41c004e/IMG_4994.JPG" data-mid="224702579" border="0" src="https://freight.cargo.site/w/1000/i/7081244d7eec2775c142f5489c27fd86f06e9e0c4845d60e4f2a6bfbd41c004e/IMG_4994.JPG" /><img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/6f9c9ed133575f3f4db3e1e0300d6828df59c16b9f72ce68c195257f8422537f/_DSF4143_Rev.jpg" data-mid="224702576" border="0" src="https://freight.cargo.site/w/1000/i/6f9c9ed133575f3f4db3e1e0300d6828df59c16b9f72ce68c195257f8422537f/_DSF4143_Rev.jpg" /><img width="2250" height="3000" width_o="2250" height_o="3000" data-src="https://freight.cargo.site/t/original/i/5f4c716be6c27020cfa67833b06bad2dc921951d5ea5571443f26d20086228c3/_DSF4085_Rev.jpg" data-mid="224702573" border="0" src="https://freight.cargo.site/w/1000/i/5f4c716be6c27020cfa67833b06bad2dc921951d5ea5571443f26d20086228c3/_DSF4085_Rev.jpg" /><img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/747a532e4375c7e27825770d4b61d2d029e13b23f0c57139654d3a7d64a7e8e7/IMG_4995.JPG" data-mid="224702577" border="0" src="https://freight.cargo.site/w/1000/i/747a532e4375c7e27825770d4b61d2d029e13b23f0c57139654d3a7d64a7e8e7/IMG_4995.JPG" /> https://sarahannecooper.com/Joan-Jonas-Mirror-Piece Mon, 13 Jan 2025 19:05:14 +0000 Sarah Anne Cooper https://sarahannecooper.com/Joan-Jonas-Mirror-Piece Ever Present: Joan Jonas, Mirror Piece I &amp; II (1969/2024) July 13 &amp; 14, 2024 Getty Museum <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a43ad312f514ac92e52614433ca04a511b4f880c5357c384101af52d22e6f8bc/Joan-4.jpg" data-mid="224683357" border="0" src="https://freight.cargo.site/w/1000/i/a43ad312f514ac92e52614433ca04a511b4f880c5357c384101af52d22e6f8bc/Joan-4.jpg" />Groundbreaking artist Joan Jonas has created multidisciplinary works since the 1960s that investigate perception through radical uses of video, sculpture, installation, drawing, and performance. For this rare presentation of her iconic performance work Mirror Piece, first held in 1969, the artist revisited her original notes to update and reconstruct it as Mirror Piece I &amp; II (1969/2024). Fifteen dancers will traverse Getty’s Tram Arrival Plaza while manipulating mirrors in synchronized choreography. By reflecting their surroundings, the mirrors blur the boundaries between performers and audience and become a means for challenging forms of representation and hierarchies of gender.As Jonas recalls, "The mirror was a metaphor for me. A device to alter the image and to include the audience as reflection, making them uneasy as they view themselves in public." Mirror Piece I &amp; II (1969/2024) is performed by a cast gathered from across Los Angeles’ dance and experimental performance communities, led by Joan Jonas Studio and movement director Nefeli Skarmea.Mirror Piece I &amp; II (1969/2024) is presented as part of Getty Museum's Ever Present performance series.&nbsp; Photos by&nbsp;Jennifer Buonocore-Nedrelow. <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/7110dfdb87b978921e8f814aa6ae1a1f6c2471dd5aa14e3256afe8f91b0b2b93/Joan-2.jpg" data-mid="224683355" border="0" src="https://freight.cargo.site/w/1000/i/7110dfdb87b978921e8f814aa6ae1a1f6c2471dd5aa14e3256afe8f91b0b2b93/Joan-2.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/972ba1bd04fc00dad0a1dfcffb7fd63ed1cb5286025de8ebed5cb7fa8add235a/Joan-1.jpg" data-mid="224683354" border="0" src="https://freight.cargo.site/w/1000/i/972ba1bd04fc00dad0a1dfcffb7fd63ed1cb5286025de8ebed5cb7fa8add235a/Joan-1.jpg" /><img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0c1ad951645f9be5561cd7fe9b104175311010b6e379a6565e16fbbcc58d7f44/Joan-3.jpg" data-mid="224683356" border="0" src="https://freight.cargo.site/w/1000/i/0c1ad951645f9be5561cd7fe9b104175311010b6e379a6565e16fbbcc58d7f44/Joan-3.jpg" /> https://sarahannecooper.com/Off-the-405-2024 Mon, 13 Jan 2025 23:48:04 +0000 Sarah Anne Cooper https://sarahannecooper.com/Off-the-405-2024 Off the 405 - 2024 Season June-AugustGetty Museum&nbsp; Hailu Mergia / Slauson Malone 1 / Helado Negro / Julia Holter / WOODS <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/8708ea3532dce91f6e07d70b2dad999700c878c264d51053bc573a1bdf52fd3c/IMG_2679.jpeg" data-mid="224702233" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/8708ea3532dce91f6e07d70b2dad999700c878c264d51053bc573a1bdf52fd3c/IMG_2679.jpeg" /> &nbsp;<img width="1300" height="1294" width_o="1300" height_o="1294" data-src="https://freight.cargo.site/t/original/i/654d3282015a6d3f52e087465d8714454a90dd68802e2c6b62816d1469f09ecc/Screenshot-2025-01-13-at-3.52.42PM.png" data-mid="224701942" border="0" src="https://freight.cargo.site/w/1000/i/654d3282015a6d3f52e087465d8714454a90dd68802e2c6b62816d1469f09ecc/Screenshot-2025-01-13-at-3.52.42PM.png" /><img width="1300" height="1294" width_o="1300" height_o="1294" data-src="https://freight.cargo.site/t/original/i/6951cd7cd6147c90faa628232a012c33bca95f7cea23765342575139cffc19d5/Screenshot-2025-01-13-at-3.53.02PM.png" data-mid="224701945" border="0" src="https://freight.cargo.site/w/1000/i/6951cd7cd6147c90faa628232a012c33bca95f7cea23765342575139cffc19d5/Screenshot-2025-01-13-at-3.53.02PM.png" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/510283ae7d90963fc7b66748570bbd965fae79f97d5673bcecec9faa88505363/IMG_3713.jpeg" data-mid="224702141" border="0" src="https://freight.cargo.site/w/1000/i/510283ae7d90963fc7b66748570bbd965fae79f97d5673bcecec9faa88505363/IMG_3713.jpeg" /> https://sarahannecooper.com/Off-the-405 Mon, 13 Jan 2025 22:16:40 +0000 Sarah Anne Cooper https://sarahannecooper.com/Off-the-405 Off the 405 - 2023 Season SPELLLING / Makaya McCraven /&nbsp; Etran de L’Aïr / Rahill / Alabaster DePlumeMay - August Getty Center &nbsp;<img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/171a153df63713c226f1efa4e7a8fa45cb0930ed576082067a2495a547b58378/IMG_8174.jpeg" data-mid="224695394" border="0" src="https://freight.cargo.site/w/1000/i/171a153df63713c226f1efa4e7a8fa45cb0930ed576082067a2495a547b58378/IMG_8174.jpeg" /><img width="936" height="628" width_o="936" height_o="628" data-src="https://freight.cargo.site/t/original/i/847fd3c262d22b415fe163bdc715bb177baf7ed14768d9cdc838b58398ddf8a5/Spellling.png" data-mid="224695530" border="0" src="https://freight.cargo.site/w/936/i/847fd3c262d22b415fe163bdc715bb177baf7ed14768d9cdc838b58398ddf8a5/Spellling.png" /><img width="1152" height="921" width_o="1152" height_o="921" data-src="https://freight.cargo.site/t/original/i/cc211bdc4923020234def3d33d66ff8d3520be7ec9e815d413e0afd98ce1e510/08AFFBDC-FA04-43A7-8913-8D0891A3DDC7.jpeg" data-mid="224700855" border="0" src="https://freight.cargo.site/w/1000/i/cc211bdc4923020234def3d33d66ff8d3520be7ec9e815d413e0afd98ce1e510/08AFFBDC-FA04-43A7-8913-8D0891A3DDC7.jpeg" /><img width="1149" height="917" width_o="1149" height_o="917" data-src="https://freight.cargo.site/t/original/i/3d4a96091f9e4687d0d0a0fa9378fd958dc58be0f876700a1fd1ca7bafe1162e/AC6B610F-5F29-41E3-9C87-21D25213079F.jpeg" data-mid="224700856" border="0" src="https://freight.cargo.site/w/1000/i/3d4a96091f9e4687d0d0a0fa9378fd958dc58be0f876700a1fd1ca7bafe1162e/AC6B610F-5F29-41E3-9C87-21D25213079F.jpeg" /> https://sarahannecooper.com/Kerry-Tribe-JJJJJerome-Ellis-Maral Mon, 13 Jan 2025 18:45:43 +0000 Sarah Anne Cooper https://sarahannecooper.com/Kerry-Tribe-JJJJJerome-Ellis-Maral Ever Present: Kerry Tribe, JJJJJerome Ellis, MaralSeptember, 17, 2023Getty Museum <img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/0c070e775dd87e65e9fea944b902ae2a56fbd551191dd9126e900963e4182bc1/IMG_8283.jpeg" data-mid="224682932" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/0c070e775dd87e65e9fea944b902ae2a56fbd551191dd9126e900963e4182bc1/IMG_8283.jpeg" />Three artists navigate their relationships to the natural world, to shifting intensities across the phases of life, and to inhabiting a collision of cultures in this afternoon of performances that engage with language, psychology, and sound. JJJJJerome Ellis presents a site-specific performance of poetry and music in the Central Garden. Kerry Tribe stages a new work titled "The Complaint." Maral performs a unique musical set featuring special guests on the Garden Terrace Stage. <img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b3adda113cc0b8ea4b3112a16e76acbf2695ca37c34376f4b94e64586075eb6b/Nina-still_09.jpg" data-mid="224701215" border="0" src="https://freight.cargo.site/w/1000/i/b3adda113cc0b8ea4b3112a16e76acbf2695ca37c34376f4b94e64586075eb6b/Nina-still_09.jpg" /><img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c93d09e90a11f589756049c8294b4e36ff8d831bbbcf22d2e010f35f4fd62da2/Connie_still-03.jpg" data-mid="224701214" border="0" src="https://freight.cargo.site/w/1000/i/c93d09e90a11f589756049c8294b4e36ff8d831bbbcf22d2e010f35f4fd62da2/Connie_still-03.jpg" /><img width="1111" height="867" width_o="1111" height_o="867" data-src="https://freight.cargo.site/t/original/i/e856ee49de94bd415651bd035a720a3c7806308900b9fcd77a255018bee8fcd7/IMG_4435.jpg" data-mid="224701217" border="0" src="https://freight.cargo.site/w/1000/i/e856ee49de94bd415651bd035a720a3c7806308900b9fcd77a255018bee8fcd7/IMG_4435.jpg" /> https://sarahannecooper.com/Soup-Tart Mon, 13 Jan 2025 19:19:18 +0000 Sarah Anne Cooper https://sarahannecooper.com/Soup-Tart Soup &amp; Tart: Los Angeles The Museum of Contemporary Art, Los Angeles (MOCA) June 8, 2023 A co-presentation by Active Cultures and MOCA, curated by Sarah Cooper 50 artists, 6 chefs A marathon of 2 minute performances Taking inspiration from Soup &amp; Tart, an event devised by Fluxus artist Jean Dupuy in 1974 and held at The Kitchen in downtown New York, Soup &amp; Tart: Los Angeles brings together fifty artists, musicians, and dancers from across Los Angeles’ cultural landscape, inviting them to use two minutes in any way they like: an improvisation, song, action, movement, or text. As the performances rolled on, a lineup of LA chefs served up their take on soup and tarts for all. During the 1974 happening, bowls of lentil soup and French apple tarts were served when artists such as Phillip Glass, Yvonne Rainer, Arthur Russell, Laurie Anderson, Gordon Matta-Clark, Hannah Wilke, Richard Serra, and Joan Jonas entertained the crowd. Just as Dupuy’s Soup &amp; Tart took place in a pivotal moment for the artists of its generation, this experiment aims to ask what the models of earlier avant-gardes can reveal in the here and now. <img width="3024" height="1671" width_o="3024" height_o="1671" data-src="https://freight.cargo.site/t/original/i/d8c3aa64de56a8a64a9798f18fc3a8fba5098c762e232eb33d5f1d75c3d5764e/Screenshot-2025-01-07-at-10.48.08AM.png" data-mid="224683477" border="0" src="https://freight.cargo.site/w/1000/i/d8c3aa64de56a8a64a9798f18fc3a8fba5098c762e232eb33d5f1d75c3d5764e/Screenshot-2025-01-07-at-10.48.08AM.png" /><img width="6552" height="4370" width_o="6552" height_o="4370" data-src="https://freight.cargo.site/t/original/i/f5fdd2c3aee503d5129d0b8a5eeb98c41f421e333336d2312a80f37804ec40dc/DSC05338.jpg" data-mid="224683460" border="0" src="https://freight.cargo.site/w/1000/i/f5fdd2c3aee503d5129d0b8a5eeb98c41f421e333336d2312a80f37804ec40dc/DSC05338.jpg" /><img width="7100" height="4736" width_o="7100" height_o="4736" data-src="https://freight.cargo.site/t/original/i/08906a667f7de39c09b09f9d2d00e140cd34bfe7bdf6c096fb23eb4756bc6450/DSC04941.jpg" data-mid="224683459" border="0" src="https://freight.cargo.site/w/1000/i/08906a667f7de39c09b09f9d2d00e140cd34bfe7bdf6c096fb23eb4756bc6450/DSC04941.jpg" /><img width="6633" height="4424" width_o="6633" height_o="4424" data-src="https://freight.cargo.site/t/original/i/9dfc2346c930d5dda663b2e07298cfe99ee56b5df240cfde76d6ed2f59ec80d5/DSC05541.jpg" data-mid="224683461" border="0" src="https://freight.cargo.site/w/1000/i/9dfc2346c930d5dda663b2e07298cfe99ee56b5df240cfde76d6ed2f59ec80d5/DSC05541.jpg" /><img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/3629f3120decf0ad4f54a4df2e2d9b2e2403258d1e6bedec9bc78e4faab6409c/DSC05708.jpg" data-mid="224683462" border="0" src="https://freight.cargo.site/w/1000/i/3629f3120decf0ad4f54a4df2e2d9b2e2403258d1e6bedec9bc78e4faab6409c/DSC05708.jpg" /><img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/0db22e039cfa78454aa9e90dc60f5bbee7940cf07a611c1898b40e96213ec305/DSC04204.jpg" data-mid="224683455" border="0" src="https://freight.cargo.site/w/1000/i/0db22e039cfa78454aa9e90dc60f5bbee7940cf07a611c1898b40e96213ec305/DSC04204.jpg" /> https://sarahannecooper.com/Soup-Tart-copy Tue, 14 Jan 2025 05:01:25 +0000 Sarah Anne Cooper https://sarahannecooper.com/Soup-Tart-copy Soup &amp; Tart: Los Angeles The Museum of Contemporary Art, Los Angeles (MOCA) June 8, 2023 A co-presentation by Active Cultures and MOCA, curated by Sarah Cooper 50 artists, 6 chefs A marathon of 2 minute performances Taking inspiration from Soup &amp; Tart, an event devised by Fluxus artist Jean Dupuy in 1974 and held at The Kitchen in downtown New York, Soup &amp; Tart: Los Angeles brings together fifty artists, musicians, and dancers from across Los Angeles’ cultural landscape, inviting them to use two minutes in any way they like: an improvisation, song, action, movement, or text. As the performances rolled on, a lineup of LA chefs served up their take on soup and tarts for all. During the 1974 happening, bowls of lentil soup and French apple tarts were served when artists such as Phillip Glass, Yvonne Rainer, Arthur Russell, Laurie Anderson, Gordon Matta-Clark, Hannah Wilke, Richard Serra, and Joan Jonas entertained the crowd. Just as Dupuy’s Soup &amp; Tart took place in a pivotal moment for the artists of its generation, this experiment aims to ask what the models of earlier avant-gardes can reveal in the here and now. <img width="3024" height="1671" width_o="3024" height_o="1671" data-src="https://freight.cargo.site/t/original/i/d8c3aa64de56a8a64a9798f18fc3a8fba5098c762e232eb33d5f1d75c3d5764e/Screenshot-2025-01-07-at-10.48.08AM.png" data-mid="224709168" border="0" src="https://freight.cargo.site/w/1000/i/d8c3aa64de56a8a64a9798f18fc3a8fba5098c762e232eb33d5f1d75c3d5764e/Screenshot-2025-01-07-at-10.48.08AM.png" /><img width="6552" height="4370" width_o="6552" height_o="4370" data-src="https://freight.cargo.site/t/original/i/f5fdd2c3aee503d5129d0b8a5eeb98c41f421e333336d2312a80f37804ec40dc/DSC05338.jpg" data-mid="224709164" border="0" src="https://freight.cargo.site/w/1000/i/f5fdd2c3aee503d5129d0b8a5eeb98c41f421e333336d2312a80f37804ec40dc/DSC05338.jpg" /><img width="7100" height="4736" width_o="7100" height_o="4736" data-src="https://freight.cargo.site/t/original/i/08906a667f7de39c09b09f9d2d00e140cd34bfe7bdf6c096fb23eb4756bc6450/DSC04941.jpg" data-mid="224709163" border="0" src="https://freight.cargo.site/w/1000/i/08906a667f7de39c09b09f9d2d00e140cd34bfe7bdf6c096fb23eb4756bc6450/DSC04941.jpg" /><img width="6633" height="4424" width_o="6633" height_o="4424" data-src="https://freight.cargo.site/t/original/i/9dfc2346c930d5dda663b2e07298cfe99ee56b5df240cfde76d6ed2f59ec80d5/DSC05541.jpg" data-mid="224709165" border="0" src="https://freight.cargo.site/w/1000/i/9dfc2346c930d5dda663b2e07298cfe99ee56b5df240cfde76d6ed2f59ec80d5/DSC05541.jpg" /><img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/3629f3120decf0ad4f54a4df2e2d9b2e2403258d1e6bedec9bc78e4faab6409c/DSC05708.jpg" data-mid="224709166" border="0" src="https://freight.cargo.site/w/1000/i/3629f3120decf0ad4f54a4df2e2d9b2e2403258d1e6bedec9bc78e4faab6409c/DSC05708.jpg" /><img width="5304" height="7952" width_o="5304" height_o="7952" data-src="https://freight.cargo.site/t/original/i/0db22e039cfa78454aa9e90dc60f5bbee7940cf07a611c1898b40e96213ec305/DSC04204.jpg" data-mid="224709159" border="0" src="https://freight.cargo.site/w/1000/i/0db22e039cfa78454aa9e90dc60f5bbee7940cf07a611c1898b40e96213ec305/DSC04204.jpg" /> https://sarahannecooper.com/Julius-Eastman Mon, 13 Jan 2025 19:07:14 +0000 Sarah Anne Cooper https://sarahannecooper.com/Julius-Eastman Julius Eastman: (Masculine) | (Femenine) with Monday Evening ConcertsApril 29 and 30, 2023Getty Museum New Commissions by&nbsp;Davóne Tines, Sarah Hennies, and Jacqueline Kiyomi Gork <img width="6367" height="4245" width_o="6367" height_o="4245" data-src="https://freight.cargo.site/t/original/i/13ae0aa962a9b64cf92edd3f2b406381afeee5be5d412530b03c18edecdc9132/Julius-Eastman_April-29-38.jpg" data-mid="224683378" border="0" src="https://freight.cargo.site/w/1000/i/13ae0aa962a9b64cf92edd3f2b406381afeee5be5d412530b03c18edecdc9132/Julius-Eastman_April-29-38.jpg" /> In the summer of 1975, composer Julius Eastman (1940–1990) presented two works at a concert held at the Albright Knox Museum of Art in Buffalo, New York. One ensemble performed Femenine (composer's spelling)—a composition that has been widely rediscovered in recent years as an under-recognized modern masterpiece—inside a gallery, while another ensemble performed a piece titled Masculine outside. This simultaneous presentation placed the audience in a space caught between Masculine and Femenine as they moved between both performances. Today, no record or score exists of Eastman's Masculine. To fill the void left by this lost piece of music, three unique artists present new works that expound on both the idea of masculinity and the complex and radiant legacy of Julius Eastman—a figure who navigated radically interdisciplinary artistic communities within classical, avant-garde, popular, and underground music. The commissioned artists include classical vocalist and artist Davóne Tines, experimental composer Sarah Hennies, and visual and sound artist Jacqueline Kiyomi Gork. These new compositions will be staged simultaneously with Eastman's Femenine, performed by Monday Evening Concerts' ECHOI ensemble, in various locations at the Getty Center, replicating the compelling dynamic of the original 1975 event. Julius Eastman: (Masculine) | (Femenine) is a co-production Monday Evening Concerts and Getty Museum Public Programs. <img width="4372" height="6558" width_o="4372" height_o="6558" data-src="https://freight.cargo.site/t/original/i/027a8b5c097d2bfa302653310d214bbf3fb1e229be23b1fa02e9f531e5be7042/Julius-Eastman_April-29-98.jpg" data-mid="224683379" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/027a8b5c097d2bfa302653310d214bbf3fb1e229be23b1fa02e9f531e5be7042/Julius-Eastman_April-29-98.jpg" />&nbsp;&nbsp;<img width="2223" height="3334" width_o="2223" height_o="3334" data-src="https://freight.cargo.site/t/original/i/c713258780afb6c3bb885b62a6b0e8113d1049825f6703728b186d5106cc9cbd/Julius-Eastman_April-30-29.jpg" data-mid="224683421" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/c713258780afb6c3bb885b62a6b0e8113d1049825f6703728b186d5106cc9cbd/Julius-Eastman_April-30-29.jpg" /><img width="4480" height="6720" width_o="4480" height_o="6720" data-src="https://freight.cargo.site/t/original/i/99860dce74d5048c18ca1054e562a2e0c9892dbf5c0d8e056ba028445bc86fa4/Julius-Eastman_April-30-11.jpg" data-mid="224683436" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/99860dce74d5048c18ca1054e562a2e0c9892dbf5c0d8e056ba028445bc86fa4/Julius-Eastman_April-30-11.jpg" /><img width="1100" height="733" width_o="1100" height_o="733" data-src="https://freight.cargo.site/t/original/i/9c94a4e80cf6e78573b522e4dd35490262433975077843b59bb16cef57e158fa/julius-eastman-april-30-17_orig.jpg" data-mid="224683369" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/9c94a4e80cf6e78573b522e4dd35490262433975077843b59bb16cef57e158fa/julius-eastman-april-30-17_orig.jpg" />