Sarah Cooper is a curator, writer, and art historian based in Los Angeles.
She is the Public Programs Specialist for performance at the J. Paul Getty Museum, where she directs the experimental performance series Ever Present, among other programs.
She has organized programs featuring artists and musicians including Kim Gordon, Simone Forti, Brendan Fernandes, Patti Smith, Lonnie Holley, Martin Creed, Midori Takada, Helado Negro, Moor Mother, David Wojnarowicz, Derek Jarman, and Solange Knowles.
In addition, Sarah has held positions at The Museum of Modern Art and the Guggenheim Museum in New York, the Royal Academy in London, and the Andy Warhol Museum in Pittsburgh.
She holds a Master's Degree in Art History from Hunter College, New York. Her thesis, Expanding Experimentalism: Popular Music and Art at the Kitchen in New York City, 1971-1985, explores the creative output of artists' bands and the relationship between popular music and avant-garde performance practices.
sarahannecooper [at] gmail.com
She is the Public Programs Specialist for performance at the J. Paul Getty Museum, where she directs the experimental performance series Ever Present, among other programs.
She has organized programs featuring artists and musicians including Kim Gordon, Simone Forti, Brendan Fernandes, Patti Smith, Lonnie Holley, Martin Creed, Midori Takada, Helado Negro, Moor Mother, David Wojnarowicz, Derek Jarman, and Solange Knowles.
In addition, Sarah has held positions at The Museum of Modern Art and the Guggenheim Museum in New York, the Royal Academy in London, and the Andy Warhol Museum in Pittsburgh.
She holds a Master's Degree in Art History from Hunter College, New York. Her thesis, Expanding Experimentalism: Popular Music and Art at the Kitchen in New York City, 1971-1985, explores the creative output of artists' bands and the relationship between popular music and avant-garde performance practices.
sarahannecooper [at] gmail.com
July 9, 2016
Off the 405
Getty Center, Los Angeles
L.A.-based folk-rock singer/songwriter Kevin Morby blends his Dylanesque voice and world-weary lyrics with a beautifully structured indie sound, resulting in a meandering atmospheric quality and palpable emotional complexity that is both eerie and sweetly gentle. Formerly part of the successful Brooklyn-based bands Woods, for which he played bass, and The Babies, for which he was creative partners with Cassie Ramone of the Vivian Girls, Morby sought a reset from the lo-fi indie rock and pop-party vibes which defined those respective projects. He moved to Los Angeles and the change of scenery shifted him toward a sound more rooted in the singer/songwriter tradition of the '60s and '70s, particularly echoing Bob Dylan and Leonard Cohen, placing him in the company of rising contemporaries like Kurt Vile, Steve Gunn, Angel Olsen, and The War on Drugs.
