Sarah Cooper is a curator, writer, and art historian based in Los Angeles.
She is the Public Programs Specialist for performance at the J. Paul Getty Museum, where she directs the experimental performance series Ever Present, among other programs.
She has organized programs featuring artists and musicians including Kim Gordon, Simone Forti, Brendan Fernandes, Patti Smith, Lonnie Holley, Martin Creed, Midori Takada, Helado Negro, Moor Mother, David Wojnarowicz, Derek Jarman, and Solange Knowles.
In addition, Sarah has held positions at The Museum of Modern Art and the Guggenheim Museum in New York, the Royal Academy in London, and the Andy Warhol Museum in Pittsburgh.
She holds a Master's Degree in Art History from Hunter College, New York. Her thesis, Expanding Experimentalism: Popular Music and Art at the Kitchen in New York City, 1971-1985, explores the creative output of artists' bands and the relationship between popular music and avant-garde performance practices.
sarahannecooper [at] gmail.com
She is the Public Programs Specialist for performance at the J. Paul Getty Museum, where she directs the experimental performance series Ever Present, among other programs.
She has organized programs featuring artists and musicians including Kim Gordon, Simone Forti, Brendan Fernandes, Patti Smith, Lonnie Holley, Martin Creed, Midori Takada, Helado Negro, Moor Mother, David Wojnarowicz, Derek Jarman, and Solange Knowles.
In addition, Sarah has held positions at The Museum of Modern Art and the Guggenheim Museum in New York, the Royal Academy in London, and the Andy Warhol Museum in Pittsburgh.
She holds a Master's Degree in Art History from Hunter College, New York. Her thesis, Expanding Experimentalism: Popular Music and Art at the Kitchen in New York City, 1971-1985, explores the creative output of artists' bands and the relationship between popular music and avant-garde performance practices.
sarahannecooper [at] gmail.com
DJ set by King Tuff
July 28, 2018
Off the 405
Getty Museum, Los Angeles
At sixteen, Lola Kirke discovered Gram Parsons and the "Cosmic American" genre he defined. Despite being a New Yorker by the way of London, Kirke felt a strong connection to his country rock sound. Emerging as a new voice in indie music (although a familiar face from the Golden Globe-winning TV show Mozart in the Jungle as well as recent films), Kirke leads a band with beautifully plaintive songs, twanging guitar melodies, and smoky vocals. Echoing the current wave of updated-Americana singer-songwriters including Jenny Lewis, Kevin Morby, and Angel Olsen, Kirke's warm and upbeat music marries the spirit and charm of Dolly Parton with elements of '60s counterculture and a contemporary edge. Her new album, Heart Heads West, comes out this summer.
Polaroid by Lola Kirke at Getty Museum for New York Times Style Magazine.